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Saturday, October 10, 2026
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Film Analysis: Band Frontman Jason Williamson Takes On Character in Sceptical Examination at Ecstasy Generation Era

Helmed by Portishead co-founder Geoff Barrow, this sharp-edged if slight first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Duel

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of cider, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

There is only one important plot development, but it results in a comically executed rampage on the forest trails that veers toward folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game releases in UK and Irish theaters from November 17.

The writer

Philip Ryan

A tech futurist and writer passionate about exploring how emerging technologies transform society and daily life.

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